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DURAND CLAUDE Debussy La Cathedrale Engloutie For Piano. Be the first to review this product. CA$ Out Of Stock. SKU. Catalog #: . Jiri Kylián’s ballet is set to a composition by Claude Debussy which was inspired by a fifteenth-century Breton legend. This tells how a cathedral was built on a. La cathédrale engloutie. (). by Claude A Debussy, Colin Matthews. Description: Debussy, orchestrated by Colin Matthews; Duration: 5; Genres: Full.

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Recorded by pianist Ivan Ilic in AprilParis.

After three bars, it modulates to Eb pentatonic, continuing the same thematic idea, again for three bars. There are two methods of parallelism in music; exact and inexact. This shows Debussy at his closest manifestation of musical impressionism.

His daughter, Dahut, on the other hand is usually described as a sinful, deceitful princess. In this piece, Debussy composes the music using motivic development, rather than thematic development. Preludes by Claude Debussy compositions Music based on European myths and legends.

Debussy uses this unstable pitch collection, with no clear tonic to facilitate a smooth transition between G minor Pentatonic to C Major Pentatonic.

MacMillin, It was arranged for orchestra by Leopold Stokowski as The Engulfed Cathedral and released in a recording in Catheddrale page was last edited on 21 Decemberat Kate Cook, Musical Style and Genre: Edition Peters You may ask me for a manually cleaned version. Schirmer’s Library of Musical Classics, No.


La cathédrale engloutie – Aural Skills and Analysis

It is a complete exploration of chordal sound that encompasses the entire range of the piano, and that includes one of Debussy’s signature chords a major tonic triad with added 2nd and 6th scale degrees. Shin-Itchiro’s Sheet Music Library. First, it brings back material from the middle of the A section, again centered on Cbut now in c minor.

It also implies that this section is a mirror of one which came before, giving further support to the intro-ABA-outro structure. It is characteristic of Debussy in its form, harmony, and content. Motif 1 is heard on a broader scale in the bass notes dotted whole notes in measureshitting the notes of the motif in inversion and transposition on the down-beats of measures 1, 15, and 16 G-C-B.

The Story of Debussy’s “The Sunken Cathedral” | Parker Symphony Orchestra

This is the loudest part of the piece. The Thematic Process in Music. Unsourced material may be challenged and removed. Cambridge University Press, Parallel harmony forces the chords to be understood less with functional roots, and more as coloristic expansions of the melodic line.

Sounds can be heard of priests chanting, bells chiming, and the organ playing, from across the sea. There are many different versions of the legend. Performer Pages Stefano Ligoratti Piano.

His Life and Mindvolume 2. Then after a section marked Augmentez progressivement Slowly growingthe cathedral emerges and the catehdrale organ is heard with a powerful fortissimo.

In the case of the two volumes of preludes, he places the title of the piece at the end of the piece, either to allow l pianist to respond intuitively and individually to the music before finding out what Debussy intended the music to sound like, or to apply more ambiguity to the music’s allusion. Problems playing this file? The next section, B, measuresis a composite of earlier themes. Also within measures 1 through 15 are two occurrences of motif 2 G cthedrale measure 1, E in measure 5; E in measure 5, C in measure The ancient Breton legend of Ys.


Emma Bardac wife Impressionism in music Debussy quadrangle crater. This is quite different from simple melodic doubling, like the 3rds in Voilesor the 5ths in La Merwhich are not usually englooutie alone without a significant accompanimental figure. A quintessential example of musical impressionismthe piece depicts the rise of a cathedral from the water and subsequent return to the depths — complete with bells chiming, priests chanting, and organ playing.

La Cathédrale Engloutie

Knopf, Jane Mortier, piano First Pub lication. Productions du Moliantegok, From Wikipedia, the free encyclopedia. To attain these effects that reflect images of the castle, most performers use specific techniques with regards to pedaling and articulation to affect tone color. Creative Commons Attribution-NonCommercial 3.

The Story of Debussy’s “The Sunken Cathedral”

Various arrangements and transcriptions of the piece exist. Creative Commons Attribution 3.

In andClaude Debussy wrote a series of 12 preludes for solo piano.


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